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Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.Ugly Lovely is a description to define something that might repel at first but then become beautiful.

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Gisela Torres Photos: Gisela Torres Hats: Sahar Freemantle Makeup Artist: Sara Sorrenti Hair: Jack Merrick Thirlway Model: Danielle Ifra Yuval Atzili was my student. I have known him as a teacher knows a beloved student.

There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.

He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.

I was immediately sorry I hadn’t thought of it myself, that I hadn’t stolen him from life, into my story.

‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.

I work with it in terms of size and placement, and then begins the slow and meditative practice of putting paint to porcelain.Then, in 2005, ‘sick with shingles, I walked into a shop that was running ceramic painting classes and it was immediately obvious that it was something I had to do’. Having worked with human hair in the past and now with donated pigeon, natural, undyed feathers, Kate Mcc Gwire creates visually striking art.While she has worked with earthenware as well as porcelain, her medium has always been the plate. The Royal College of Art MA graduate is based on a boat floating on the Thames, which helps her stay connected to nature.Raised on a farm it was commonplace for Sahar to see animal carcasses, skulls, rotting fruit and vegetables and it is in this milieu of birth, death and decay that she discovered beauty in the extraordinary.While studying at Edinburgh College of Art she found passion in high drama, Schiaparelli hats, insect art and taxidermy receiving her degree in Costume Design and specialising in Millinery.That sentence he said, reminded me of Jacob Biton’s poetry who wrote about himself and his brother Dogan facing their grandma’s death, the big mother.

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